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Alfred Stieglitz is known as one of the greatest masters of photography. He photographed everything that he experienced and helped people see that art is a means of communication and expression. The way he saw an image was directly affected by his emotions at the time, and he learned how to manipulate the photographs to convey those emotions.
In the late 180s, Stielglitz recalled the painters he knew envied his medium because he could produce the same results as they could. However, they would not consider photography an art because it was machine-made.
Stieglitz worked editing the American Amateur Photographer from 18 to 186, when he founded Camera Notes, a camera club in New York. He edited for Camera Notes until 10. He exhibited work by several photographers, and established a gallery in 105. In 108, Stieglitz showed work by Matisse and some of Rodin’s drawings. His photographic vision had reached past photography and into all forms of art and expression. He exhibited work by Picasso, Georgia O’Keeffe, and some African sculpture as well. The diversity of the work he showed reflected his opinion that the newly emerging held much higher importance than repetition.
Alfred Stieglitz continued to exhibit other artists’ work as well as his own and worked with the Anderson Galleries and the Intimate Gallery, as well as An American Place. It was through these galleries that he shaped American modern art.
Stieglitz believed in true, original work and when asked if some of his prints could be reproduced he scoffed and explained that everything that makes his photographs what they are would be lost in a reproduction.
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