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kjdfkjlkjThe explosive situation with the car allows us two specific insights into the text. One, it again highlights the emphasis of the British culture on figure heads and symbols. No one is sure which great figure resides within the important looking car, but each onlooker feels touched by magic, as Clarissa notes. Traffic slows and onlookers halt and then rush to Buckingham Palace. The car, as with many of the objects with which Clarissa surrounds herself, is an empty symbol. What is inside does not matter. The shell of the car, in a postmodern sense, represents the empty significance that is often placed on social status within the world of Mrs. Dalloways London.
It is at this moment that we also meet Septimus Smith. At the same time when Clarissa is frozen in delight, imagining the Queen and Prince and parties, Septimus is frozen by apprehension and fear. Many critics describe Septimus as Clarissas doppelganger, the alternate persona, the darker, more internal personality compared to Clarissas very social and singular outlook. However, a few critics hint that to characterize Septimus as Clarissas double is too limiting for both of their characters. Perhaps the best way to describe their relationship is to think of it as a means to flesh out the intensity of the human mind. The novel takes the reader through only one day in Clarissa and Septimus lives, and yet we learn so much more about their characters and about humanity in general. These two personas allow the reader to discern how two seemingly opposite characters correspond and interrelate. Clarissa and Septimus never meet and yet, their lives are intertwined from the moment in the street to the news of Septimus death at Clarissas party.
We also meet Rezia, Septimus wife, in this section of the book, as she struggles through the embarrassment of having a crazy husband. The way Septimus is told that nothing is wrong with him alludes to circumstances in Woolfs life. With her fragile mental state, she encountered many psychologists, most of whom did not know how to treat mentally ill patients. Often, they did more harm than good. Septimus is the victim of this psychosocial establishment in post-War England. As a representative of the lost generation, a topic touched on by many of Woolfs contemporarys most noticeably T.S. Eliot in The Wasteland, Septimus suffers from delusions and hallucinations. The husband and wife, as a result, can no longer communicate as they once had.
Another confused symbol of communication exists in the form of the airplane that spreads incomprehensible words across the sky, gaining much of Londons attention after the excitement of the important car passes. Letters are strewn about but no character agrees on the message delineated. Ironically, however, many people are connected through the inability to communicate symbolized by the planes skywriting. In his sickness, Septimus believes the plane is talking to him. Yet, the other characters who view the plane believe in much the same idea.
Part I Section Three Summary (p.-48 What are they looking at...very far away as Peter Walsh shut the door.)
Clarissa returned home, wondering at what everyone was looking. Stepping into her cool house and hearing the motion of her servants, she felt as a nun returning to her daily habit. She breathed in happily while Lucy stood by, hesitant. Clarissa noticed a note that read that Lady Bruton had requested Richards company for lunch. Clarissa felt snubbed. Lucy knowingly helped her with her parasol and left her alone. The lunch parties were supposed to be quite amusing. Clarissa felt alone. She withdrew upstairs to the solitary attic room that she had occupied ever since her illness. There, she liked to read Baron Marbots Memoirs. The room had a very virginal feel, with the stark white sheet stretched tightly across the narrow bed. She wondered if she had failed Richard and thought back to her close connections with women, namely her old best friend, Sally Seton. She had known what men feel toward women with Sally.
She remembered Sally sitting on the floor, smoking, saying she was descended from Marie Antoinette, being so utterly crude that Clarissas family thought her untidy. Sally taught Clarissa about life, sex, men, and politics, things from which she was shielded at Bourton, her home before marriage. Her feelings for Sally were protective and pure. She remembered the excitement she felt the nights Sally dined with them and the exquisite moment they shared when, as they were walking, Sally stopped to pick a flower and kissed Clarissa on the lips. A moment later, Peter Walsh and Joseph, an old family friend, had intruded, perhaps purposely, since Peter was prone to jealousy. Clarissa was horrified at the intrusion.
Turning her thoughts to Peter, she wondered if he would think her older when he returned from India. Since her sickness, she had become nearly white. She thought her face pointed and her body shaped like a diamond. She was a good woman, she thought, even if Lady Bruton had not invited her. Clarissa found her loveliest green dress and took it downstairs to mend. Lucy asked if she could help mend but Clarissa declined. Suddenly, the doorbell rang and she heard the voice of a man demanding to see her. Abruptly, her door opened and she turned to hide her dress, as if she were protecting her chastity.
Peter Walsh entered, taking her hands and kissing them. They both trembled. Peter noticed that she looked older. Clarissa observed that Peter was very much the same. He played with his pocketknife. Peter asked about her family and imagined that Clarissa had been mending her dress and attending parties continuously during the time he had been gone. Clarissa asked him if he remembered Bourton. He did but it pained him to remember as it reminded him of her refusal to marry him. Clarissa too was caught in the wave of emotion. The memories brought Peter close to tears. Peter realized that his new love, Daisy, would pale next to Clarissa. He did not want to tell her about Daisy because Clarissa would think him a failure. He felt that Clarissa had changed for the worse ever since marrying Richard.
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