IDENTIFY, AND THEN COMMENT UPON, THE VARIETY OF NARRATIVE TECHNIQUES, IN THE HANDMAID’S TALE.
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IDENTIFY, AND THEN COMMENT UPON, THE VARIETY OF NARRATIVE TECHNIQUES, IN THE HANDMAID’S TALE.
Narrative techniques are the different ways in which a writer tells their story.
Ask yourself the following questions about how the story of The Handmaid’s Tale is told
Is it all first-person narration? What are the advantages of this technique for the reader? Is it autobiographical? Is it genuine autobiography, or fictive autobiography? Is the story told in the same way all the way through? Does the story flow in a straightforward, easily understood style? Are we told the name of our narrator immediately? Does the story emerge in a fragmented, bit-by-bit, way? Could it be deliberately confusing? Are there different narrators? Are we allowed into the narrator’s own thoughts? Do we discover much about the narrator’s past? How? What id the effect of using flashbacks?
POINTS TO CONSIDER
· Is the first person narration significant? What is the effect of it for the reader?
· Why are the epigraphs important? Why are they there? What do they add?
· Does the novel begin in a clear, easily understood way? Or, is there some deliberate confusion (narrative puzzle emerges / many ideas of time are presented � both the recent and distant past / effect is to place the story in the recent future)?
· How are the ‘Night’ sections (chapters 1,7 & 18) different from other parts of the novel? Think of what Offred does and why.
· The use of time shifts and flashbacks
· The fragmentation of the storytelling, it is only revealed bit by bit
· The comments made by Offred about the act of storytelling itself � C7, C & (directly addresses the audience for the first time)
· The ‘double’ motifs � see class notes 6--0
· The Historical Notes at the end of the book explain why Offred’s story has been told in such a fragmented way. It was pieced together, from Offred’s original tape recordings by the academic professors. This explains, and justifies, the fragmented style of storytelling to the reader. Of course, this style of storytelling, of only partial disclosure, suits Atwood’s purpose as a storyteller, of presenting the story gradually. Also, Atwood deliberately wants to show Offred as a distressed and confused narrator; the fragmented storytelling, where Offred cannot concentrate on the dreadful present for too long without recourse to the preferable past, reinforces the idea of Offred’s distress. Therefore, Atwood’s narrative style aids her presentation of Offred as a distressed and discontented woman.
NIGHT
Night recurs as a heading seven times. It always signals ‘time out’ when Offred’s life is not under public scrutiny, and when she can escape into her own private world of memory and desire
TIME SHIFTS AND FLASHBACKS
Mostly within the ‘Night’ sections where the flashbacks are most sustained
The narrative switches often, between the past, present and distant past, juxtaposing past and present, through Offred’s memories.
Creates a continuing sense of the physical and emotional confusion Offred feels because she has to escape her present
The ubiquitous past brings happiness, comfort and power to keep fighting, but it also brings despair, longing and loneliness EFFECT IS to increase the reader’s empathy for Offred as they are all emotions that we can relate to
By using memory, we see Offred ‘feel’ � ‘stream of consciousness’ technique seeks to replicate real thought processes and jumps from one subject to another
Like a palimpsest, a parchment that is scraped clean to be used again, traces of Offred’s original identity and beliefs still exist beneath her Handmaid guise
THE FRAGMENTATION OF THE STORYTELLING
A discontinuous, spasmodic narrative, with frequent time shifts & short scenes � effect is
to create narrative puzzle / reflect Offred’s confusion & distress / represents the complex ways that memory works, where the present moment is always pervaded / affected by other times & places
The story shifts abruptly from one scene to another, from present to past time so the narrator’s present situation and past history are only gradually revealed
We have to piece together and reconstruct the story
The story starts in a confusing manner with unfamiliar surroundings, although the setting does become more familiar
Offred’s story pieces together the voice of the powerless and oppressed in Gilead it is only revealed bit by bit
THE COMMENTS MADE ABOUT THE ACT OF STORYTELLING
A self-conscious narrator who is aware of the limitations of narrating stories and the human need for telling stories
Storytelling (onto tape) is the only possible gesture against the silences of death and of history � it is an act of rebellion in itself
DOUBLES MOTIF
IN LITERATURE, A MOTIF IS A RECURRING, DOMINANT IDEA
Double life - both her physical existence and in her memories
Two identities � Handmaid and being an individual in her own right � wife, mother, daughter
Two names � birth names and her Gileadean patronynic
Offred & Ofglen look alike as they shop together
Characters have their own counterparts � Nick and Luke; Moira and Ofglen; Offred and the previous Offred
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Incident report
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MUGS
1 Tuas Lane, Jurong Town Singapore 68610
Tel (65) 861 5444 Fax (65) 861 4777
httpwww.mugs.com.sg
To Henry Davidson Date October 0, 00
Director
From Chua Jan Subject Delivery delay on
October 0, 00
DESCRIPTION OF INCIDENT
At 1.0 P.M. on October 0, 00, our distributor, Mrs. Jenny Huang called and said that our gThe Barbarian Mugsh (BM 040 Model) cannot be accepted. After receiving the call, I went down to the distributor shop and inspected the glass mugs delivered. I found that about 80% of the glass mugs were broken. After checking the delivery truck, I found that the wheels of the delivery truck were still in relatively good condition, except for some sand and scratch marks. The weather is fine that day with little clouds.
After I had finished inspecting the goods and truck at .00 P.M., I arranged for the broken glass mugs to be sent back to our company. I notified Head of Manufacturing Department, Manager Lai Seng Boon to check if there was still spare stock of our gThe Barbarian Mugsh in our inventory that could be sent to Mrs. Huang. I also notified the head of delivery department, Manager Choo Boon Heng, to send another delivery truck to our distributor shop to send the broken glasses back to our factory and to replace them with the new batch of glass mugs. While waiting for the truck to arrive, I apologized to Mrs. Huang and promised that the new batch of glasses would arrive by 5.00 P.M. The truck arrived with the new batch of glasses at 4.0P.M.
By 5.00 P.M. we had finished unloading the new glasses and load the broken glass onto the truck. The remaining glasses, which were fine, were left at the shop.
CAUSES OF INCIDENT
The glass mugs were packed in brown boxes without cushioning. The mugs were found to be arranged in a haphazard manner and the strings used to tie them were of unsuitable material. Nylon strings should have been used instead of polyester threads. It was evident that the proper tying techniques were not used to tie the glass mugs. A single knot was used instead of the double knots. As shown in figure 1.1, you can see the wrong type of knot used to tie the package. Figure 1. shows the correct double knot to be used, for better strength to hold our carton together.
Fig 1.1 Wrong tying method
Fig 1. Correct tying method
It was the peak hour and the road was congested. Thus, our truck driver, Mr. Ang See Chong, in his bid to get the glass mugs to our distributor in the fastest possible time, drove at a higher speed. Moreover, the delivery route from our Tuas factory to our distributorfs shop in 40 Jalan Peminpin, #0-0 Tat An Building, had to pass through rough terrain, full of coarse sand. So, the high speed and jerky movement might have caused the glass mugs to bang into one another and resulted in them breaking.
RECOMMENDATIONS
In order to prevent such an incident from happening again in the future, I have made the following recommendations.
1. Have our packaging executive conduct a training course for our packaging staff about proper packaging procedure and methods. The above incident can be used as a case study for the course.
. Order specially marked and design boxes. These medium size boxes 1 X 1X , which are made of tough corrugated cardboard with wire-stitched seams, are extra durable and weight 1kg each. Each box can safely hold up 5 kg of our goods, about twice the load of our previous brown boxes and help us to track our packages easily. Cushions are also included in the boxes to withstand the jerky movement.
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him
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Perhaps it was because he saw her on her own turf, he saw how she worked and behaved in her true role as daughter and eldest child in the household; as a student and a friend; as a caregiver and a pacifier. In the morning he witnessed Kagome interjecting herself into an argument that stemmed from the fact that an unknown youkai sleeping on the couch (even though he wasn’t asleep, it was an alert rest, where pure rest was never accomplished to its fullest extent) and where she performed beautifully in his defense even though yesterday she was less than happy to have him here. He saw her help her brother with a math problem before he went off to school, he saw her clean the dishes from which they eat upon and he saw her discuss, somewhat less energetically than her grandfather, about whether traditional miko robes were as important as the training itself; the heavy garment acting as a discipline in itself for you had to walk upright with the heavy material clinging to your body. And perhaps it was because she seemed to smile more and laugh more when she was with her family, how it seemed so natural for her to conduct her life full of emotions and happiness. Or finally perhaps it was that Sesshomaru was finally realizing that she wasn’t such a bad human anyway. Well, perhaps it was easier for him to admit that because she wasn’t truly human. He had to keep reminding himself that she was immortal now as well, and somewhere in the vicinity of his chest ached a bit when he realized that her family wasn’t. Would she have to leave them in the future as she spent five hundred years in the past? Or will she abandon the shards and Inuyasha to begin her immortal life in this era? He tried to ignore the feeling that was again in the general vicinity of his chest when he thought of the idea of spending five hundred years without her. Forget the miko wench! The sword will call you to her whenever is necessary and you’ll see her often enough! Get a hold of yourself! A woman? Why would you ever want a woman to accompany you? Sesshomaru shifted his arm a little as he turned his head to glance the other way, away from the window where he had been staring at the miko quite openly. It is just time I took a mate, he thought, although he knew that propriety called for him to finish this…business with the miko before he could even consider a mate. He continued writing, another little amusement that came from the experiences he had here.
She wasnt normal. Neither was she brave nor courageous. But her stamina was not to be tested. And that is what he did. The glittering pieces were all lined up in a row at the beginning; the black and white board sheen with a kind of cheery glow of anticipation. It was a board that had been used many times, through many games and many players.
But now it was almost empty. An annoyed finger lightly tapped on the side of the board, anger permeating from the nails scratching at the surface. But the game wore on.
The board saw death to pieces. The carnage lay strewn on each side of the board. No one was speaking, the deadly silence emanated from the room to create a certain sound of its own; the complete opposite of noise. The board lost track of all time, all notion of existence. The world, for a moment, was suspended on air--the players alone to concentrate on a battle of wit and integrity. But there is always one winner.
She knew that her stamina was almost to a breaking point�never before had this occurred. But she competed. No one ever got better by playing someone inferior. He seemed to be the kind of person she would have liked to have known outside of their game, perhaps meeting him at a bar or through mutual friends. He played for the game too, but she knew it was over now. She knew that the ultimate outcome lay in her favor. It wasnt because she was superior. It was because she had played more than he had. Her skills were sharper�something that only resulted from recent and determined practice. Perhaps on another court he would be the winner.
She delicately moved her knight to rest beside his king. She didnt have to say it, but she said it anyway, out of habit
Checkmate.
He laid down his king honorably. Slowly he got up, shaking her hand politely, not saying a word. As he walked away he turned back to her still sitting in her chair. From about seven feet away he shook his head as if in disbelief. And then he grinned. A Cheshire cat grin. And as he turned back and walked away she knew he was still grinning.
Sesshomaru grumbled a little as he reread what he wrote. It was always the same now�he wrote of a woman, a woman who reminded him of Kagome, and yet, the woman did not think like her. Instead he seemed to pour his feelings and perceptions into the woman; he seemed to make her feel what he was feeling and what he thought. Writing always seemed to be able to explain his mood better than he could and he didn’t like the way this was shaping up to be. Did he really want to know Kagome as someone other than his brother’s miko and an annoyance that involved his sword and her jewel? Did he want to continue this haphazard relationship and develop it into something more? Into something more than it already was? And what exactly did more mean? But the most important question was�
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Gatsby--persuasive
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In F. Scott Fitzgerald’s novel, The Great Gatsby, Nick’s claim that Gatsby turned out to be all right is true because Gatsby cared about other people, knew how to love, and openly as well as freely shared his wealth. Nick was able to support his conclusion because Gatsby sincerely had compassion for other people. Fitzgerald provides numerous examples of Gatsby’s true care, causing it to be quite prevalent throughout the novel. Gatsby’s knowledge of how to love is a significant reason why Nick was able to advocate his proclamation. This wisdom is an important component in the basis of the novel, and Fitzgerald continuously uses it to portray Gatsby’s true character. A final and substantial reason why Nick was able to validate his statement that Gatsby turned out all right in the end is that Gatsby generously shared his prosperity. Fitzgerald uses both Gatsby’s true care and knowledge of how to have love for others in the formation of Gatsby’s ability to share his wealth. Nick, being a benevolent person himself, could detect the true heart of Gatsby and his genuine compassion for others.
Nick was able to validate his statement that Gatsby turned out all right in the end because he genuinely had compassion for other people. Upon obtaining his wealth, Gatsby made sure that his parents’ needs were adequately taken care of. He furnished a new home for them, and he made certain that they never lived in destitution. During one of Gatsby’s extravagant parties at his home, a young woman tore her dress on a chair. Gatsby truly cared enough about the woman, as well as the inconvenience the furniture in his home caused her, that he acquired her name along with her address and sent her a package with a new evening gown inside. Gatsby also showed his care for others by being kind to strangers regardless of their financial circumstances. For example, even though Nick was not as wealthy as Gatsby was, Gatsby welcomed him with a sincere heart. Along with many other things, he invited Nick to his parties, took him out to lunch, encouraged him to use his beach, and went hydroplaning with him. Also at one of his lavish parities, Gatsby was unexpectedly called to the telephone during a conversation. Instead of rising and hurrying out of the room to answer the call immediately, Gatsby kindly excused himself with polite words and a small bow that included each person he was speaking to in the conversation. Gatsby’s compassion for his guests’ feelings was displayed through his benevolent manner. He cared enough about them to considerately leave the room. However, he was also sensitive to the telephone caller’s feelings and time; he did not keep the person waiting to speak with him on the phone lingering too long. This is yet another example of how Fitzgerald illustrated Gatsby’s truly caring manner. When Gatsby requested that Nick invite Daisy to his home, he knew that he was making use of Nick’s bigheartedness. He did not want to inconvenience him in anyway, so Gatsby sent the servants and gardener from his mansion to prepare Nick’s home. Gatsby was also a very understanding man. He displayed an especially sympathetic attitude, which is an indication of a caring person. For example, when Nick first met Gatsby, he did not realize that the man he was talking to about Gatsby was in fact Gatsby. When Nick found this out, he was rather embarrassed, but Gatsby rid him of his discomfiture with an understanding smile. Nick described it as “one of those rare smiles with a quality of eternal reassurance in it” (Fitzgerald 48). Gatsby could have been extremely rude to Nick about the mistake; however he disregarded it and showed his incredibly understanding personality through his smile. A final example of Gatsby’s genuine compassion for others is in how much he cared for and about Daisy. Gatsby sincerely cared so much that he changed his life for her. He went from being a poor farm boy to a wealthy and high-class man, just to have a chance at gaining Daisy’s love. This is true devotion and consideration, which F. Scott Fitzgerald skillfully developed in Gatsby. This development also stretched into giving Gatsby the ability to know how to love.
Gatsby’s knowledge of how to love is another reason Nick was able to confirm his statement that Gatsby turned out all right in the end. Gatsby was so deeply committed to Daisy that he changed himself just so he could have a chance with her. He knew that she was exceedingly wealthy, and this posed a problem. Gatsby did not have a great deal of money, and during the time of the novel, it was unheard-of for an aristocrat to get involved with a poor individual. Consequently, Gatsby used his military uniform to hide his penniless background and worked to gain money so that Daisy would consider him an equal. This shows that Gatsby genuinely knew how to love because he was willing to exert himself to secure it. Gatsby waited for Daisy and followed her social career. This is another indication that he knew how to love because he cherished her enough to stay devoted to her, and only her, even if they were separated. However, Daisy did not wait for him, and after Gatsby discovered that she had needed security and married while he was overseas, “he found that he had committed himself to the following of a grail” (Fitzgerald 14). Gatsby was seeking the inner completeness, just as those in search of the grail were, and he knew that Daisy’s love was the only thing that could provide this wholeness. Comparable to how the grail rested on the peak of a mountain, encircled by water and obstacles that only a select few could overcome, Daisy’s love also rested far away, and there were many hurdles that Gatsby needed to clear in the pursuit of her love. The protection that he offered her is a final and significant example of Gatsby’s true knowledge of how to love. He wanted to keep her from any harm that could come into her life. Gatsby was so devoted to Daisy that he was willing to give up his life to spare her the least amount of pain or suffering. For instance, Gatsby chose to take the blame for the collision between Myrtle and the car that Daisy was driving, which instantaneously caused Myrtle’s death. He was willing to endure any punishment, persecution, or notoriety that came with this liability. He did not wish to see her hurt in any way. Gatsby not only provided mental and emotional protection, but physical protection as well. On the night of the afternoon in which Daisy confessed that she never loved Tom, Gatsby was willing to wait outside Daisy’s house all night to make sure that Tom did not hurt or bother her about the unpleasantness of the day. And even when Nick tried to assure Gatsby that Tom was not even thinking about her, he would not leave. He did not want to put Daisy in any sort of situation where danger could be inflicted on her, even if there was not a threat. This is true passion and devotion, proof that Gatsby knew how to love. Gatsby’s care for others and knowledge of how to love also extended into his finances; having these characteristics, Gatsby openly and freely shared his wealth.
Gatsby’s ability to openly and freely share his wealth was a substantial reason why Nick was able to support his conclusion that Gatsby turned out all right in the end. Gatsby was not selfish with his money; he did not keep it all for his own pleasurable uses. In fact, he expended a great amount of his money for people whom he did not even know. He hosted incessant and extravagant summer parties; he was rarely familiar with any of the guests because they simply invited themselves and were welcomed merely for attending. He wanted people to enjoy themselves in the midst of his prosperity. Thus the food, entertainment, hospitality, and all of the other aspects of Gatsby’s parties were incredibly lavish
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York�every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. . . .
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby’s enormous garden. On buffet tables, garnished with glistening hors-d’�uvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o’clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other’s names. (Fitzgerald -40)
Gatsby opened his home to his unfamiliar guests and allowed them to eat his food until they were satisfied, drink as much of his liquor as they wished, and dance as long as they desired to the music of the orchestras he provided. This truly illustrates that he was a man who unreservedly shared his wealth. Not only did Gatsby share his wealth through his summer parties, he shared it with those around him everyday. For example, on pages 10 and 10 of his novel, Fitzgerald displayed Gatsby’s daily sharing of wealth by directing it toward the group of people that arrived at his home on horseback. Although the group was rather rude to him, Gatsby still acted politely and exhibited earnest hospitality. He offered them a cigarette or a cigar as well as something to drink; he encouraged them to stay for supper and accepted their self-invitation to come to his next party. Gatsby could have turned the group away; instead, he opened his home and prosperity to them. He also exhibited his free sharing of wealth by offering Nick a side job to help him out with his finances. Gatsby was aware that Nick did not make a great deal of money, and he wanted to lend a hand by sharing some of his assets. The fact that Nick did not have an abundance of riches enabled him to see that Gatsby did not have an aristocratic attitude; this provided support for his claim that Gatsby ended up to be an acceptable individual.
Nick’s statement that Gatsby turned out to be an acceptable individual in the end of The Great Gatsby, by F. Scott Fitzgerald, is relevant because Gatsby showed compassion toward other people, understood how to love, and generously shared his wealth. With the various examples Fitzgerald provides throughout the novel, it is effortless to see that Gatsby sincerely cared for other people. This is one rationale that Nick used to support his claim that Gatsby turned out all right. Fitzgerald created Gatsby as a man who truly had a heartfelt knowledge of how to love, and it was through Gatsby’s use of this wisdom that Nick was able to advocate his claim. A final reason he was able to do this was by taking into account Gatsby’s ability to openly and freely share his wealth. This ability showed Nick that Gatsby was not self-centered and only concerned with his own prosperity, but truly altruistic. Whether he was portrayed as altruistic, caring, or loving, I feel that Fitzgerald crafted Gatsby’s character well. He delayed the introduction of most of the information on Gatsby until relatively late in the novel, which helped to shape Gatsby as an individual. I think that Fitzgerald used this method to emphasize the theatrical quality of Gatsbys approach to life, which is an essential part of his personality. Fitzgerald allows Gatsby to literally fashion his own character; he has him change his name, from James Gatz to Jay Gatsby, which represents the recreation of himself. I believe that what gives Gatsby his quality of “greatness” is the gift of self-invention that Fitzgerald skillfully creates in him. I believe that it is this skill is what Fitzgerald used to superbly craft the character of Gatsby.
Works Cited
Fitzgerald, F. Scott. The Great Gatsby. New York Charles Scribner’s Sons, 15.
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Women’s Freedom in Bahrain
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Are women in Bahrain having enough freedom? They do have education; they do run for election and vote for elections. But is it enough?!
First let us see the religious side of it. Islam asked for education “seek knowledge even in China”. As we read the Quara’n, we can see it’s asking Muslims to have knowledge and education “teach your kids”. So education started long time ago. What was against religion is the co-ed education (which existed in Bahrain). Divorced women have custody of the boys (not in Islam) “children must go back to their father after the age of seven years”. A deluge (male) had to present women in court and ministries (not in Bahrain, but in Religion). Women do run her own properties, money and take care of her own business (the first wife of the prophet Khadija was a merchant running her business).
Second let us see women’s social life in Bahrain. In 10 there were given the right to vote for candidates. They have the right to be representative in the “Shoura” council. Women in Bahrain have the right to do any work she could mange it. There is no work restriction with male. Now a day some women are ministers of specific ministries in the government. They are not eliminated in society. They have almost the same rights that man has.
Bahrain is the first countries to give women’s rights. Some behavior was not in Islam, because people are following the modernization. Women are quiet happy in Bahrain for having there rights. But they are still asking for more political freedom.
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