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“Painfully they learn there is a seamy side to justice at both the bottom and top end of Australian society.” This is an accurate sentence relating to the play composed by David Williamson as it refers closely to the characters Eddie O’Donnell, Jane Frederick’s, Trevor Frederick’s, Tony Turner and Paul Bradley. Through the characters, the theme of corruption in the political and legal system is portrayed.
Eddie painfully learnt the sinister side to justice at the bottom end of Australian society through his drug addiction leading him to be caught in possession of 00g of heroin. “Outside in the world, even if you’re feeling down, you can look at one of your kids and say, ‘Hey that little fella loves me. He thinks I’m OK.” Dramatic tension is created through this conversation by the audience feeling empathy for Eddie. “I’ve got about as much hope as a blind chook on a freeway.” Through this idiomatic expression, it shows Eddies perception of justice and how unfair the judicial system can be to small time drug dealers.
Jane is another character that learnt the seamy side to justice at both ends of Australian society, by representing Eddie and also through he husband who unlike herself wouldn’t represent the under privileged. “They told me the name of the lawyer they thought should ‘handle’ my case.” A pun is used on the word ‘handle’ to highlight the aspect of bribing and the theme of corruption. This conversation between Eddie and Jane is significant to the play as after this, Jane bribes the police $0 000 to lower the quantity of heroin found in Eddie’s house.
Jane painfully learns the seamy side to justice as she jeopardises Trevor’s chances to get into politics as she is caught trying to bribe the police. Tony Turner feels threatened of Trevor so he bribes him with his knowledge of Jane’s attempts at perverting the cause of justice by leaking it to the press to jeopardise Trevor’s political career. This is made obvious to the audience through Tony’s clever use of suggestive language. “Trevor What you are saying is that you won’t move on Jane if I stay out of politics? Tony No, I’m saying that politics would be risky for the both of you.”
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As a ‘Top Silk’ lawyer, the audience discovers what Trevor will do to maintain his good name and reputation. “I knew those poor bastards didn’t have anywhere to go but I just gritted me teeth and said ‘Bugger it they’re not getting any sympathy from me.” In this scene, the mood of utter emptiness and despair is created through Trevor’s attempts to take on the Bradley brief. Despite Mark and Jane’s objections to it, he acted for the developer instead of the pensioners in order to prove to others and to himself that he must avoid emotions at all costs if he is to remain a successful lawyer.
At the end of Act One Williamson creates dramatic climax through Trevor and Paul Bradley’s on going argument where Trevor control’s the argument but is defeated. Then the roles are switched and Bradley control’s the conversation. Paul Bradley tries to bribe Trevor in Act Two through his power of the media by telling him that he will never make it into politics if he doesn’t represent him in court. In this scene Trevor realises the threats against him and that his smooth political career can no longer be as he is up against the corrupt and unjust political system.
In conclusion, the characters painfully learn the seamy side to justice at both ends of society through experiences of their own and through different relationships with people. They also have learnt that there is corruption at both the political and legal side of the judicial system.
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