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Hitchcock opens this film in his traditional way, including the audience immediately with his cast and his twisting plot. The camera focuses on one building, focusing in on one hotel window, going through it to show Marian Crane, wearing only a bra and slip, her lover Sam Loomis standing over her. From the onset of their conversation we realise that they are having an affair and that Gavin is too poor to get a divorce.
The unhappy Marian returns to her real estate office, where her boss George Lowery agrees to hold $40,000 for a rich blabbermouth client, Tom Cassidy. Suddenly Marian steals the money and decides to make a new life for her. She pays cash for a new car, but she’s too nervous and attracts the attention of a state policeman who follows her and, when catching her asleep in the car, warns her not to sleep along the roadside. Marian drives through the night until she is tired and begins looking for a place to stay.
Spotting the sign for the Bates Hotel, she drives in meeting Norman Bates, a young man who gives her a room next to his office. While they talk, the young man makes Marian realise that she has made a mistake in stealing the money. After he leaves, she set matters straight by returning the money.
Sliding back a picture on the wall when returning to his office, Norman peeps through a hole and watches Marian undress and slip on a robe. Nervously covering the peephole, he steps outside, looks up the hill to an outlined Victorian house, and goes up the long steps to the house.
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The camera stays outside, and the voice of an elderly woman is heard telling Norman for renting the room to a young woman. It is clear that the womans voice belongs to Normans mother and that she is jealous of her sons involvement with anyone else.
Hitchcocks camera next explores the bathroom where Marian is taking a shower. Through the shower curtain inside the tub a shadow is seen approaching. Suddenly the curtain is swept aside, seeing a dark figure in a granny dress holding high a bread knife. Marian screams as the knife pokes in again and again, slashing her flesh so that her blood pours out. The killer disappears, and Marian falls over the tub, grabbing the shower curtain. The camera closes in on the drain, down which Marians blood swirls, then the image on the screen dissolves into one of Marians dead eyes.
Norman, who screams out in agony against what his mother has done shortly discovers Marian’s death. He wraps the body in the shower curtain, drags it to the trunk of Marians car then mops up the bathroom. Next, Norman drives the car to a nearby swamp and sends it to the bottom.
When Marian does not show up, her sister Lila goes to Sam and begs him to look for her. He agrees, but before he can begin his search, a private detective, Milton Arbogast, appears and explains that he, too, has been looking for Marian, that he has been hired by George to recover the missing $40,000. Milton follows Marians trail to the Bates Hotel, where his questions upset Norman, who disappears into the mansion at the top of the hill.
Milton checks the register in his absence, even though Norman has told him that Marian never stopped there. Finding evidence to the contrary, Milton goes up the hill to the old house. Once inside, he calls out and, getting no response begins to climb the stairway.
Just as he reaches the top, a old woman races from the bedroom with a bread knife, stabbing Milton repeatedly until he falls backward down the stairs, the camera seeming to fall with him in a fast zoom. Milton is dead when he hits the floor below, and Norman screams out in terror at what his mother has done. We now realise that it was the old lady who killed Marian.
When they dont hear from Milton, Lila and Sam drive to the area of the Bates Hotel and meet with the local sheriff Chambers, who tells them that Mrs. Bates, Normans strange mother, has been dead for eight years and has long since been buried.
Sam and Lila go to the Hotel, and while Sam occupies Norman, Lila sneaks up to the mansion, enters it, and begins to investigate, going from room to room. She finds Mrs. Batess bedroom, noting the hollowed out spot on the bed where the old woman apparently sleeps and the dresser top items, including a strange looking powder jar.
Downstairs again, Lila hears footsteps approaching the house and runs to the basement. Its Norman. Becoming suspicious of Sam, he has clubbed the stranger and raced to the house. In the basement, Lila finds a figure in a chair, seemingly Mrs. Bates, facing away from the intruder. Lila calls out, but the old lady doesnt respond. Under a low hanging, glaring light bulb, Lila twists the chair, which turns around slowly to reveal not a live woman but a shriveled face, rotting being. Lila steps back in horror, knocking the light bulb so that it swings, shining on the grinning corpse.
Suddenly another woman appears, bread knife drawn, quickly approaching Lila for the kill. However, Sam also appears and leaps upon the attacker, pulling away the knife and a wig to reveal Norman, dressed like his mother.
Later a psychiatrist, Dr. Richmond, tries to explain it all, saying that Norman had never been the same after his mother and her lover were murdered in front of his eyes. After that horrific event, Norman became a bit crazy, assuming his mothers personality and killing in revenge for her fate. Dr. Richmond also explains that Norman dug up the old corpse and kept it near him to maintain the illusion that his mother was still alive so that he could transfer his own guilt for his many murders on to her.
Norman is then shown sitting in a padded cell, wearing a straitjacket. As Hitchcock closes the camera slowly in on him, Norman, in voice over, says that he will do nothing to betray himself, that he will not even harm the fly buzzing around to prove to his guards that he can be trusted. A close-up of Normans face dissolves quickly into the skull of his mother and then into a shot showing Marians car being pulled from the swamp by chains as the credits roll.
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