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Influenced by the theories of the pioneer of psychoanalysis, Sigmund Freud, the images found in surrealist works are as confusing and startling as those of dreams. Surrealist works can have a realistic, though irrational style, precisely describing dreamlike fantasies, as in the works of Ren� Magritte, Salvador Dalí, Yves Tanguy, and Alfred Pellan. Something all Surrealists have in common is a spontaneous technique, modeled upon the psychotherapeutic procedure of free association as a means to eliminate conscious control in order to express the workings of the unconscious mind.
Salvador Dali was a primary member of that surrealist movement and one of the most publicized to date. Despite all that was written by and about him, Spanish surrealist artist Salvador Dali remained a mystery as a man and as an artist. A blend of reality and fantasy characterized both his personal life and his artwork. Many of Dalís paintings were influenced and inspired by the landscapes of his youth. Dalí continued to paint details of the landscape of Catalonia (his birthplace) into his works, as evidenced by such works as The Persistence of Memory, completed in 11. The meanings of Dali’s paintings have been the subject of much debate between surrealist scholars over the years. Three Separate Melting Watch images even out the foreground of the work. The melting watches shown in the persistence of memory are one symbol that is commonly associated with Salvador Dalís Surrealism. They are literally meant to show the irrelevance of time however upon seeking someone else’s opinion one might yield a different answer Take as an example this excerpt from a review in the Sydney Morning Herald /10/1 by Age art critic Robert Nelson It must be the year of the surrealist Phoenix...I hope it does not sow a generation of unconscious painters, who also attempt to claim meaning in a work which they blatantly decree they have no control over… meaning in such work no, chaos yes. This is quite obviously show in such work as the persistence of memory by Dali where meaning and interpretation are vapid from his work excusing the occasional hollow juxtapositions.” Obviously not a critic with a fondness for the genre or Dali himself however ironic it may be there are some comical accuracies in his words as Dali is most definable as a surrealist phoenix (though not in the sense meant by this critic) Rather In the Dalínian universe, we have come to understand that life is continually disintegrating and then forming anew which has come to be one of the defining features of Dali’s work, the work is defiantly chaotic and rightly so I challenge to a find a surrealist work which dose not denote such an element. . There also have been a number of works by Dali where meaning had been so obvious it is visible to even the uneducated. In this classic image, (Don Quixote an infinite landscape) we see the knight Don Quixote, perched on his valiant steed, doing battle with the giant Caraculiambro. He seeks to vanquish the giant and order him to kneel in submission to his beloved Lady Dulcinea. Note the special design in the lower right corner wherein his name and his wife Galas are intertwined under a crown as a tribute to Don Quixote and his love for the Lady Dulcinea, this piece seeks to express meaning and more obviously a story a piece obviously overlooked by such critics as Mr nelson.. Dali himself described the theoretical basis of his paintings as paranoiac-critical the creation of visionary reality from elements of “visions, dreams, memories and psychological or pathological distortions through the use of familiar objects such as watches, insects and telephones and the primary images of blood and decay.” (Wheeler 1) Dalis images in the persistence of memory gradually transform into a visual nightmare such as the melting watches or metamorphic self-portrait included in the piece. In the 141 Dali image “invisible face” one envisions the ruined countenance of a skeletal face; the large drawn mouth serving as a gateway to the plains and vast terrain of the future that lies ahead. The growing cypress tree represents the life of man. Within the worn down facade of the past are other hidden invisible faces, perhaps holding the memories of what the grand facade once was. It is reminiscent of an age gone by, Dalí’s symbolic colors representing a range of emotions however it is true that what is seen by one person may not be visible to another as surrealism invokes a highly individual interpretation. Each work by dali makes use of his different techniques and styles which as a result lead to a variety of different meanings in each.
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