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Triangle Vocabulary
Right Triangle � A triangle with an angle of 0-----o
Acute Triangle � A triangle with no angles more than 0 o.
Obtuse Triangle � A triangle with an angle of more than 0 o.
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Scalene Triangle - A triangle with no sides of the same length.
Isosceles Triangle � A triangle with two or more sides that are the same length.
Median of a Triangle � A line that goes through the center of a triangle.
Altitude of a Triangle � A line which shows the height of a triangle and creates a 0o angle at the bottom of the triangle.
Triangle Vocabulary
Right Triangle � A triangle with an angle of 0-----o
Acute Triangle � A triangle with no angles more than 0 o.
Obtuse Triangle � A triangle with an angle of more than 0 o.
Scalene Triangle - A triangle with no sides of the same length.
Isosceles Triangle � A triangle with two or more sides that are the same length.
Median of a Triangle � A line that goes through the center of a triangle.
Altitude of a Triangle � A line which shows the height of a triangle and creates a 0o angle at the bottom of the triangle.
Fifth chord is also called dominant because it tends to lead in root, also dimnished chord leads strongly to root because it is seventh and tries to accend to complete the harmony, but dimnished chord has no proper fifth so it is a little tricky chord to use well (thats why it is very rare in popular music). ALSO this works up side down! Let me explain, when we play root and go to fifth and back to root we could go back to the root we came from or forward to the root one octave higher, 4th up is same as 5th down, 7th up is same as nd down (make sure you understand this). Also minor rd and major 6th makes some harmony with root but you cant end chord progression to major rd or minor 6th, it wont sound complete! (Ok we can make it more complete if we use some other than basic chords...).
How to apply this in practise? Avoid using major 4th (or minor 6th)interval between chords in progression, with one expection the root note!!! You can basically go to any note from the root because it makes harmony with every other note in the scale, scales are in harmony with the root! THATS WHAT MAKES ROOT NOTE SO SPECIAL!!!
Other Three Note Chords
Now you know all I know about basic chords and making chord progression, it is time to move on.
Suspended chords (1--5 and 1-4-5) have given me a lot of more options on making chord progressions. How I realised how they can be used was when I were learning the Stairway To Heaven and that bridge part had that calssic Dsus, D, Dsus4. So if you have a chord in your song but you think it requires some ascending sound (without cahnging the root) use sus4 and in case of descending use sus. Also you can use sus4 instead of chords 4th chord and sus instead of 5th chord to make some variety in your playing. Try out this song by Tom Petty & The Heartbreakers - Free Fallin progression is |D-G-|GDA-| but when playing Dsus4 instead of G and Dsus instead of A and you get it almost same but it sounds much more Dish (I made a word )...
Ok sus chords are for moving rd of the chord, what if we move 5th? Well get Dadd11(no5) and D(add)7(no5) and I suggest you to try out those too (1--4) (1--6)... also try powerchords like 6th(sounds like minor rd) and 4th(sounds like 5th), also try playing 5th and then 6th and 5th again (dont change the root)... and 4th, rd, 4th (root, nd, root)...
But what if I want to change the root of the chord and make the chord remain same? Then we are talking about Slash chords, for example C/B would have notes B-E-G-C-E, but we were talking about three note chords so lets choose some note which belongs to C chord, we have two options C/G and C/E and now we are talking about chord invertions, I am not sure but I think the first inversion is C/C, second inversion is C/E (rd of the chord) and third inversion is C/G... I havent introduced myself with inversions...
Ok actually C/E is called first inversion and C/G is second inversion...
Ill continue with 4 and more note chords later and tell what they are good for...
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